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Cover me
I admit, I'm still a sucker for Mark Kozelek's music, even at its most emotionally raw. And I'm always amazed at his ability to draw the same intensity out of other people's songs. Who'd have thought a fairly minor Cars tune could sound so epic and heartfelt? Slowed down, stripped down, it opens wide, with a voice somber and beautiful like a cello. It's so good you can almost forgive him licensing it for a Gap ad.
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