So it seems everyone's all hot for neon-noir, Michael Mann-indebted sounds these days. And why shouldn't they be? I'm glad folks like the Chromatics are getting their well-deserved cinema time. Drive was exquisitely flawed — with a strange fetish for demolished heads — but it succeeded at least for bringing this fabulous track to light.As much as the hook, I'm drawn to it for the tenderly delivered lyrical notion that to be 'a real human being' is itself a thing worth rallying around, as much as being 'a real hero'. Which is to say I'm at least halfway appalled that we expect a world of inhumanity, if we even know what that is anymore.
Meanwhile, I hate to waste anyone's time with a tune they're probably hearing a lot these days (though I do love me that M83 sonic overload), but this somehow feels like the flip side to the heroics above. The former was smartly used in a smiling, dreamy daylight sequence, while this one seems more the province of the stone-faced night driver that is the go-to mental image for this aesthetic.Having said that, Anthony Gonzales gets a big high-five for his courageous saxophone deployment in the outro. A real human being indeed.
M83 - Midnight City
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