Harald squared

I know what you're thinking — why did Anthony Michael Hall agree to wear metallic paint for this album cover? A more relevant question is why I have such a soft spot for sequencers, real drums, and lead synth that traces shapes in no particular hurry. I figure why stop at one winning groove when doubling down feels doubly good. Some imagery comes to mind — the first track accompanies as you burrow out of the ground and see the sunshine for the first time in years. The second is like gliding through endless air.

Harald Grosskopf - Emphasis

Harald Grosskopf - Synthesist