Screedom rock
Some people think The Lamb Lies Down on Broadway was the apotheosis of early Genesis, while others point to its convoluted concept and lack of self-editing as evidence of mid-'70s prog bloat. Everybody's right, of course. But I especially love the humble little masterpieces hiding in its corners. Like this workout for the outer reaches of Tony Banks's technique. Coupled with a slinky/gawky 9/8 groove, you've got a strange little specimen from an unexplored world.
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